Tragedy on the Comic Stage

Tragedy on the Comic Stage ebook complet au format Pdf, ePub et Kindle. Tragedy on the Comic Stage de Matthew C. Farmer, publié par Oxford University Press le 2016-11-01 avec 576 pages. Tragedy on the Comic Stage est l'un des livres populaires de History parmi de nombreux autres livres complets sur amazon kindle illimité, cliquez sur Obtenir un livre pour commencer à lire et télécharger des livres en ligne gratuitement dès maintenant. Obtenez plus d'avantages avec l'essai gratuit Kindle Unlimited, vous pouvez lire autant de livres que vous le souhaitez maintenant.

  • Tragedy on the Comic Stage

  • Auteur : Matthew C. Farmer
  • Editeur : Oxford University Press
  • Isbn Code : 0190492082
  • Genre : History
  • Nombre de pages : 240
  • Date de publication : 2016-11-01
  • Évaluation des livres 4.5
    Par 38 lecteurs

Aristophanes' engagement with tragedy is one of the most striking features of his comedies: Euripides appears repeatedly as a character in these plays, jokes about tragedy and tragic poets abound, and parodies of tragedy frequently underlie whole scenes and even the plots of these plays. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries. Farmer organizes these fragments under two rubrics. First, he discusses fragments that show characters discussing tragedy, use tragic poets as characters, or make reference to the dramatic festivals; these fragments, Farmer argues, develop a "culture of tragedy" within Greek comedy, a consistent set of tropes and devices that depict tragedy as part of the world inhabited by the characters of these plays. Second, he assembles fragments that show tragic parody, imitations of tragedy that render tragic language humorous or ironic by juxtaposing it with the base characters and quotidian circumstances that make up Greek comedy. Tragedy on the Comic Stage then illustrates these features of fragmentary paratragedy within three intact Aristophanic comedies: Wasps, Women at the Thesmophoria, and Wealth. These new readings of Aristophanes' plays show the value of reading Aristophanes in conjunction with the comic fragments, and insist on the subtlety and complexity of Aristophanic paratragedy.

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